The tripod will be fundamental, without it you won’t be able to do a focus stacking. Landscape photography: when doing a focus stacking in landscape photography, all you’ll need is your camera/lens and a tripod, nothing more. Just after you checked that both the single shot and the hyperfocal are not working you should start doing a focus stacking.įirst of all, what do you need to capture a focus stacking sequence? We’ll talk separately about landscape and macro photography, since these two photography genres require different pieces of gear. Another technique to keep in mind, before switching to focus stacking, is to try the hyperfocal distance of your lens: I won’t explain here what the hyperfocal distance is since it would require a whole article to explain it properly, but you should know that it is another technique worth considering when you have subjects close to your lens. If you are at a safe distance from the nearest thing that appears in your photo (let’s say 1 meter on a wide lens), there’s no need for any focus stacking, but just by stopping down to f/11 or other normal “landscape apertures” you’ll get everything in focus. You will need focus stacking only for those cases in which you can’t have the whole scene in focus with a single shot: wildflowers in the foreground with a wide lens or a close-up of an insect are just a couple of examples. Me instead, since it’s a time consuming technique, I prefer to do a focus stack just when it’s strictly necessary.
BEST FOCUS STACKER DEVICE HOW TO
I get this question so many times during classes and workshops once you learn how to play with the focus stacking, you want to use it for every shot you take.
Oh, and let’s not even mention the diffraction and loss of quality you would get by shooting with such close apertures.Īnd that’s exactly why you should do focus stacking: to capture a lot more depth of field than what is possible to catch with a single exposure.
You can even try to close down till f/22 or more (if the lens allows), but you still won’t have everything in focus. The answer is no, I’m still fine in some particular situations, generally in landscape photography when you have some really close subjects in the foreground or in macro photography when you try to get the whole subject in focus, stepping down the aperture of your lens won’t be enough in order to get the depth of field you need to have everything in focus. The logic question that might come into your mind now is: why on Earth should I bother doing all this process, instead of just stopping down the aperture a little bit more? Has Leonardo gone crazy? In simpler words, it will help you gain a lot more depth of field by taking different shots with individual focus points and then merge them together in post-production. As the name suggests, the aim of the focus stacking technique is to merge a certain amount of shots into a final single photo where all the different focus points are stacked together.
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